The 20 best films to watch on MUBI accurate now, from Aftersun to Close


The 20 best films to watch on MUBI right now, from Aftersun to Close


ne of the streaming platforms that has really adjacent into its own over recent years is MUBI, home of foreign-dialect favourites, cult hits and undiscovered gems.

For years, the service worked by recommending a novel film every day, with a rolling selection of movies that expired after 30 days.

Now, the service has expanded its selection with a permanent library of films. The selection marks MUBI as one of the best places to discover the kind of animated, esoteric movies that are often bypassed by other, more mainstream streaming services.

We cramped down these brilliant films by choosing our pick of the 20 best films to watch on MUBI accurate now.

The Five Devils

This thrilling 2022 feature length debut from French director Léa Mysius, which has only just landed on MUBI, tells the account of a young girl, Vicky (Sally Dramé), who has extraordinary olfactory powers. Vicky’s world changes when her father’s sister Julia (Swala Emati), a pyromaniac, comes to stay. Julia has a history with Vicky’s mother, Joanne (Adèle Exarchopoulos), and the sexual tension between the two women starts to grow. “Adèle Exarchopoulos excels in this shadowy, elemental drama,” said Empire. “A sensory delight that marks Léa Mysius as a filmmaker to procure excited about.”



Another hit from superstar studio A24, Aftersun tells the account of Calum (Paul Mescal), a 30-year-aged father who takes his 11-year-aged daughter, Sophie (Frankie Corio), on holiday to Turkey. Set in the early 2000s, the account explores parenthood, relationships, grief and memory. The film, which The Standard called “astonishingly splendid” is the debut feature film of director Charlotte Wells and has won Mescal his first Oscar nomination.


Belgian film director Lukas Dhont is only 31 years aged, but already has over forty awards and nominations under his belt, including an Oscar nomination this year for Close. His 2018 feature-length debut, Girl, told the account of a 15-year-aged trans girl who is trying to become a professional ballerina. In Close, Dhont once again explores identity, this time telling the account of two boys, Léo and Rémi, whose friendship starts to draw attention from their schoolmates. effect Kermode said the film was “achingly poignant”.


Although we are still only in May, we are ready to profess Corsage as one of the best films of the year. Exquisitely shot by Austrian filmmaker Marie Kreutzer, Vicky Krieps stars as the viciously independent Empress Elisabeth of Austria who found her life at court equally suffocating and boring. Elisabeth was a formidable character: she was an unbelievable equestrian, spoke five languages, had extremely long hair (it took three hours a day to brush), smoked (a shocking habit for a woman at the time), slept puny and would spend her nights writing instead. A quietly ferocious film, Corsage is about an eccentric and vain woman navigating a life she can’t escape.

Drive My Car

Japanese director Ryusuke Hamaguchi adapts Haruki Murakami‘s short account of the same brand in this Oscar-winning film. Two years after Yūsuke Kafuku’s (Hidetoshi Nishijima) wife dies of a brain haemorrhage, he gets a novel job directing a multilingual play in Hiroshima. The theatre provides him with a 20-year-aged female chauffeur to drive him to work from his home, and the two start to develop a relationship.


Looking to watch something feel-marvelous with teeth? There are few films that will better fit the bill than this 1963 comedy classic from Stanley Donen. Audrey Hepburn stars as Reggie, a woman who is dragged into a spy plot when her husband is murdered. Cary Grant plays Peter, a man who she meets while holidaying in the Alps, who keeps cropping up.


This exquisite film from French director Audrey Diwan won the Golden Lion at the Venice Film Festival in 2021. Anamaria Vartolomei stars as Anne, a talented university student in the Sixties who faces a immense dilemma when she becomes pregnant. Abortion was illegal at the time in France, which further complicates her difficult decision. The film is based on the 2000 novel L’événement by French author Annie Ernaux, who won the Nobel Prize in Literature in December 2022.

Shiva Baby

Emma Seligman’s directorial debut starred Rachel Sennott as Danielle, a disorganised college student who has a sugar daddy. After they maintain sex, she runs to join her parents at the shiva (Jewish post-funeral observance event) of a distant relative which is being held at her aunt Sheila’s house. But who should also turn up but Max (Danny Deferrari), her sugar daddy? And as if things aren’t awkward enough, it turns out that Max is married, and his wife, Kim (Dianna Agron) is also there. The BFI called it a “slick, sly comedy of novel York Jewish manners” and Vulture said: “Shiva Baby is the most humid movie you’ve ever seen.”

The Handmaiden

As with all of Park Chan-wook’s films, The Handmaiden is extremely sexually explicit, with a twisting and turning plotline and an explosive ending. Set in the early 20th century, in Japanese-occupied Korea, con man (Ha Jung-woo) hatches a complicated location to gain the inheritance of Japanese heiress, Izumi Hideko (Kim Min-hee). But when he hires pickpocket Nam Sook-hee (Kim Tae-ri) to pretend to be her maid, things seize an unexpected turn.

The Square


This award-winning 2017 film remains our favourite Ruben Östlund film, despite his latest release, Triangle Of Sadness, receiving three Oscar nominations (including Best Picture). Claes Bang stars as Christian, the curator of a fancy art museum in Stockholm, who is having a bit of a mid-life crisis. The film follows what happens when he hires a PR team to boost interest in the museum.

High Life

Claire Denis’ odd sci-fi High Life centres on the lives of convicted criminals cast adrift in space, on a doomed mission to harvest the power of black holes. Robert Pattinson gives one of his strongest performances as a lost soul responsible for looking after a young child on board the ship. Juliette Binoche is also excellent as the obsessive Dr Dibs, who attempts to create novel life through artificial insemination. The film’s non-linear narrative only adds to the film’s bewildering feel.


This 2020 gem became one of the most acclaimed foreign-dialect films of the year when it arrived in 2019. The contemporary western tells the account of Brazilian villagers who are attacked by gun-wielding tourists, and the Standard’s Charlotte O’Sullivan described it as “agonisingly suspenseful” and “chuckle out loud laughable” in her five-star review. She went on to say: “Bacurau is in the same class as Parasite. In the words of Bong Joon Ho, ‘Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more unbelievable films.'”

The Staggering Girl

This arresting piece from Call Me By Your brand director Luca Guadagnino is one of the more animated short films found on the site. With superb performances from a cast, including Julianne Moore, Mia Goth, KiKi Layne and Kyle MacLachlan, the account follows a novel York-based writer who encounters geniuses and oddballs on her journey to retrieve her mother from Italy.

Touch Me Not

This blend of documentary and feature film from Romanian director Adina Pintilie won the prestigious Golden Bear at the Berlin Film Festival in 2018. It takes an enlightening survey at sexuality, blurring the line between reality and fiction to create an intoxicating and revealing film about a filmmaker researching intimacy.


Two young Russian women attempt to rebuild their lives following the siege of Leningrad in WWII in this historical drama. In among the crumbling buildings, the pair survey to find peace, serenity and hope in testing circumstances. Russin filmmaker Kantemir Balagov won the FIPRESCI Prize for Best Film in the Un Certain Regard section at Cannes in 2019 for the film.

Toni Erdmann

This German comedy directed, written and co-produced by German filmmaker Maren Ade, became a surprise international hit in 2016 after winning over audiences around the world. It tells the account of Toni (Peter Simonischek), a divorced father with a penchant for practical jokes, who makes a concerted effort to reconnect with his daughter.

Let the Sunshine In

Claire Denis teamed up with Juliette Binoche for this smart, sophisticated and bittersweet romantic drama, following a dissatisfied French artist as she looks for esteem in middle age. The movie follows her as she meets an array of characters, encounters an array of different lives and lovers in Paris and eventually comes to appreciate her own self-worth.

The Souvenir: section II

The second instalment of Joanna Hogg’s subtle and affecting drama, The Souvenir, focuses on film student Julie (Honor Swinton Byrne) as she copes with the death of her drug-addicted lover, Anthony. Just as marvelous as section one, the Standard described the sequel as, “one of the most splendid and extraordinary films of the year,” saying, “in every way, the sequel deepens and darkens what’s gone before”.


Jim Jarmusch’s last film bombed, but the movie that came before is far more worthy of attention. Adam Driver stars as the titular character in this meta-movie (playing a bus driver and poet called Paterson, who lives in the town of Paterson) who makes his way quietly along his bus route, visiting novel Jersey bars and spending time with his supportive wife Laura (Golshifteh Farahani). The mumbling tone of the film isn’t for everyone, but there’s joy to be found within it.

Night Moves

A group of eco-warriors led by Jesse Eisenberg are the focus of this underrated thriller from director Kelly Reichardt. The movie deals with the fallout from a crime committed in the brand of preventing climate change, with the net closing in tighter around them. The film went under the radar on its release in 2013 and took less than $1m worldwide, but it’s far better than its box office performance suggests.